JVDPPP continually publishes its research on panel paintings related to Anthony Van Dyck, as well as translations of important out of copyright articles and texts. Listed below are the documents related to the artists, the articles JVDPPP published on Van Dyck and the recent panels the project examined.
Listed below is a selection of the most recently examined panels related to Anthony Van Dyck. All panels related to Anthony Van Dyck and the accompanying dendrochronological and archival data are available in the Summary Catalogue of Anthony Van Dyck.
This section includes archival research on the key moments of Anthony Van Dyck’s life and the panel paintings he made. For example, the baptism records and the notarial will of the artist are included as well as a ‘Saint George’ by Van Dyck that is mentioned in the inventory of Rubens. All documents are scanned, partially transcribed and translated into English. Documents are sorted chronologically from earliest to latest.
To make Van Dyck research as accessible as possible, JVDPPP is publishing English translations of important out of copyright articles and texts, or in-copyright articles with the author’s permission, for the first time, as well as its own new research and findings.
Anthony van Dyck in London: Newly Discovered Documents
Published in The Burlington Magazine, vol. 164, no. 1439 (March 2022).
By Justin Davies and James Innes-Mulraine.
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A Court Case in Respect of a Sale of Paintings Attributed to Anthony Van Dyck (1660-1662)
Originally published in Annales de l’Académie d’Archéologie de Belgique¸vol. XXIV, 2nd series, vol. IV. 1868 by Louis Galesloot.
Edited by Joost Vander Auwera and translated by Michael Lomax (2021).
© Jordaens Van Dyck Panel Paintings Project.
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Some Notes on the Development of Van Dyck’s Portrait Style — Ludwig Baldass
Originally published in Gazette Des Beaux Arts, vol. 50 (November 1957) by Ludwig Baldass.
Edited and updated by James Innes-Mulraine and Justin Davies, with an introduction by James Innes-Mulraine (2021).
© Jordaens Van Dyck Panel Paintings Project.
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The Early Work of Van Dyck — Gustav Glück
Originally published by Gustav Glück in 1924.
Edited and updated, with an introduction, by Justin Davies and James Innes-Mulraine (2019)
© Jordaens Van Dyck Panel Paintings Project.
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The Royal Hospital ‘Greate Peece’ – Van Dyck or not Van Dyck?
Transcript of a lecture on the magnificent painting at the Royal Hospital Chelsea, Charles I and Henrietta Maria with their two eldest children, Prince Charles (later King Charles II) and Princess Mary, a composition better known as the ‘Greate Peece’.
Transcript of a lecture presented by Justin Davies and James Innes-Mulraine on 16 April 2019 at the Royal Hospital Chelsea.
© Jordaens Van Dyck Panel Paintings Project.
History of the Antwerp School of Painting: Van Dyck – F.J. Van den Branden
F. Jos Van den Branden
Deputy-Archivist of the City of Antwerp
Drukkerij J.-E. Buschmann, Rijnpoortvest, Antwerp, 1883
Translated by Michael Lomax, 2018
© Jordaens Van Dyck Panel Paintings Project.
A Painter’s Portrait: Van Dyck’s Portrait of Pieter Soutman
Justin Davies – March 2018
The subject of Anthony Van Dyck’s Portrait of a Man, one of the Flemish Baroque portrait masterpieces in the Kunsthistorisches Museum in Vienna, has been identified by the JVDPPP as the Dutch Golden Age painter and engraver Pieter Soutman.
Ein Maler als Modell: Van Dycks Porträt von Pieter Soutman
Justin Davies – March 2018
German edition published by the Kunsthistorisches Museum in Vienna with additional text and images on its appearance before cutting down and its history in the gallery.
The subject of Anthony Van Dyck’s Portrait of a Man, one of the Flemish Baroque portrait masterpieces in the Kunsthistorisches Museum in Vienna, has been identified by the JVDPPP as the Dutch Golden Age painter and engraver Pieter Soutman.
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