Abstract

The painting ‘Armida by Van Dyck’ was mentioned in a list of paintings that Alexander Voet, widower of Sara Van Den Steen, possessed when his wife was alive and bought since the day of her death, 15^th of October 1678.

Place and date
Antwerp, 18-02-1689

Archival reference
Felixarchief / Antwerp City Archives, N # 433, f° 15-17v

Transcription
Felixarchief / Antwerp City Archives, notaris Gerard Casens (1686-1690), N # 433, f° 15-17v, 18-02-1689

Images: © FelixArchief, Stadsarchief Antwerpen

Transcribed by Ingrid Moortgat

Publication history

Published by:

• Duverger, Erik. (1984-2009). Antwerpse kunstinventarissen uit de zeventiende eeuw. Brussel : Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, 1984-2009, 11, p 531.

Extract published by:

• Van Den Branden, Frans Jos. “Verzameling van schilderijen te Antwerpen.” In Antwerpsch Archievenblad, dl. 22, p 38-41.
• Denucé, Jan. De Antwerpsche “konstkamers” : inventarissen van kunstverzamelingen te Antwerpen in de 16e en 17e eeuwen. Antwerpen: De Sikkel, 1932, p 310-313.

Panel Painting mentioned in:

• Barnes, Susan J., Nora De Poorter, Oliver Millar and Horst Vey. Van Dyck. A Complete Catalogue of the Paintings. New Haven/London: Yale University Press, 2004, p 297.
• As reference in the provenance of the panel painting “Rinaldo and Armida”.

How to cite: Moortgat, Ingrid. “‘Armida’ bought by Alexander Voet.” In Jordaens Van Dyck Panel Paintings Project. Edited by Joost Vander Auwera and Justin Davies.
jordaensvandyck.org/archive/armida-bought-by-alexander-voet/ (accessed 5 November 2024)

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