Object details
Artist
Collection and provenance
possibly, Erasmus II Quellinus (1607-1678), Antwerp, (‘Twee Patersmuylen Rubbens’);
possibly, sale, London, 26 February 1690, ‘Two Fryers in one frame Vandyke’;
possibly, Michael Dahl (1656 or 1659-1743);
his sale, Cock, London, 10 February 1744 (54), as Van Dyck ‘Two old mens heads singing’);
Thomas Gainsborough, R.A., (1727-1788);
his sale, London, 30 March 1789 (30) (35) acc. to London 1968, as by Rubens;
bought by George Greville (1746-1816), 2nd Earl of Warwick;
by descent to David Greville (1934-1996), 8th Earl of Warwick;
by whom sold, Sotheby’s, London, 13 July 1977 (46), as by Rubens;
bought by a forebear of the present owner.
Archival sources
Catalogue of Pictures at Warwick Castle, c.1800, Ms. (WCRO CR1886 Box 476), ‘Men Singing, a study’ by Rubens in the End Room;
Inventory compiled by William Kendal, 1853, Ms. (WCRO CR1886 Box 783/16), ‘Head of two Old Men studying music’ in the Compass Room;
Inventory of Warwick Castle, c.1900, Ms. (WCRO CR1886 Box 476), ‘Head of Monks by English School’ in Morning Room or ‘Old Mans head by Rubens’ in the Chapel Passage;
Literature
Description of Pictures in Warwick Castle, The Gentlemans Magazine, 1800, p. 1143, as ‘Two Monks – Rubens’;
Passavant 1833, p. 219, as by Rubens;
Passavant 1836, II, p. 83, as by Rubens;
Smith 1842, p. 258, as by Rubens engraved by J. Spilsbury;
British Institution 1865, no. 30, as by Van Dyck;
Gainsborough’s Collection 1944, pp. 107, 109, as by Rubens;
Leamington Spa 1948, as by Rubens;
Waterhouse 1958, p. 125, as an original called a Rubens;
Jaffé 1966, p. 94, as by Van Dyck;
London 1968, p. 15, no. 7, as by Van Dyck;
Belsey 1987, pp. 108-9, consensus pointing to Van Dyck;
Larsen 1988, no. 85, as Van Dyck;
Mould 2006, p. 52, n. 28;
Van Hout 2020, I, pp. 237-40, no. 102a, II, fig. 350, as workshop of Rubens;
Seim 2022, pp. 31-3, 37, 41;
Davies 2022b, pp. 49, 53 n. 17.
Panel reverse
None visible
Dendrochronology
Remarks
JVDPPP would like to thank Adam Busiakiewicz for his kind assistance with the provenance and literature for this panel.
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