Possibly, David Beck, Delft (1612-1656);
Jean-Pierre Cluysenaer, (1811-1880), before 1872;
Barthold Suermondt, Aachen;
sold to the Royal Museums in Berlin, 1874;
on permanent loan from the Berlin museums since 1884.

Brussels 1874, p. 20, no. 51, as Van Dyck;
Mantz 1874, p. 378;
Meyer/Bode 1875, p. 119, no. 140;
Berlin 1878, p. 101, no. 790A, as studio of Van Dyck;
Guiffrey 1882, p. 245, no. 47, as Van Dyck;
Berlin 1883, p. 134, no. 790A;
Aachen 1884, p. 17, no. 185;
Berlin 1886, p. 47, no. 790A;
Aachen 1892, p. 27, no. 185;
Bode 1898, pp. 400, 447, No. 790A;
Phillips 1900, p. 138;
Cust 1900, p. 247, under no. 10;
Kisa 1902, pp. 66, 70, no. 161;
Bode 1906, p. 528, p. 528, no. 790A;
Berlin 1912, p. 557, no. 790A;
Bredius 1917, p. 1270, no. 49;
Berlin 1921, pp. 595, 633, no. 790A;
Glück 1931, p. 547, nn. 260-1;
Berlin 1931, p. 655, no. 790A;
Aachen 1932, p. 46, no. 129;
Antwerp 1949, under no. 16;
Vey 1956, p. 205, n. 32;
Van Gelder 1959, p. 75;
Aachen 1974, no. 210;
Berlin 1986, pp. 29, 230, no. 790A;
Washington 1990-1, pp. 326-8 (J. S. Held), as Van Dyck;
Glen 1994, p. 91;
Berlin 1996, p. 43, no. 790A;
Antwerp/Amsterdam 1999-2000, pp. 287-8 (G. Luijten), as attributed to Van Dyck;
Barnes et al. 2004, p. 251, no. III. 7 (H. Vey), as Van Dyck;
Fusenik/Vogt 2006, pp. 88-91;
Aachen 2006, pp. 70-73, no. III.2 (A. Koopstra);
Schloss Brake/Prague 2008, p. 157;
Van den Brink/Birth 2018, pp. 182-5, no. 21 (N. Büttner);
Davies 2021a, p. 57, p. 63, n. 48;
Davies 2021e, p. 64.

Michiel Claessens

1. ‘26’ in white chalk, 2. ‘G.K. 129’ in white paint

With another head sketch; Genoa 1955, no. 3, ill.