Object details
Artist
Collection and provenance
(possibly) Joseph Sonsot (sale, Brussels, 20 July 1739: ‘Een Schets door Van Dyck, Christus aan ‘t Kruys, zynde het etge van het Stuk der Kapusyne van Dendermonde, h. 2 v. br 1 v. 3 d.’; Hoet 1752, I, p. 593, no. 58);
Princess of Liechtenstein, Vienna and Vaduz;
London art market, 1955;
Count Antoine Seilern, London;
bequest, 1978.
Literature
Liechtenstein 1780, no. 646;
Smith 1831, no. 111;
Guiffrey 1882, p. 247, under no. 105;
Cust 1900, p. 247, under no. 19;
Schaeffer 1909, p. 107;
Liechtenstein 1931, no. 102;
Glück 1931, p. 545, n. 242;
Vey 1956, p. 205, n. 32;
Vey 1959a, p. 16, n. 47;
Princes Gate 1969, p. 24, no. 303;
Princes Gate 1981, p. 16, no. 24, as Van Dyck;
Larsen 1988, II, no. 710;
Antwerp 1999, no. 12 a-b;
Antwerp/Amsterdam 1999-2000, pp. 228-9 (G. Luijten), as after Van Dyck;
Barnes et al. 2004, p. 266, no. III.27 (H. Vey), as Van Dyck;
Davies 2021a, p. 57, p. 63, n. 48;
Davies 2021e, p. 61, ill. p. 62, p. 64.
Panel reverse
None visible
1. “47. Anton van Dijck”
2. “# 47. Tableaux appertenent au Prince Regniant Joseph Wences: de Lichtenstein”
3. “Thos. Agnew & Sons Ltd., London”
“Anton Van Dyck” in black paint
Dendrochronology
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