Object details
Artist
Collection and provenance
Probably, Comte d’Orsay sale, Paris, 14 April 1790, no. 30, where bought by Basan;
acquired in 1902 by the museum.
Literature
Van Puyvelde 1953, p. 94, as inferior to Jordaens;
d’Hulst 1956a, pp. 23-4;
Gerson – Ter Kuile 1960, p. 129, as Jordaens;
Mayer Van den Bergh Museum 1966, pp. 73-74 (J. de Coo), as Jordaens;
d’Hulst 1974, I, p. 125, under no.A32 (verso), as a weak painting, difficult to place;
Mayer Van den Bergh Museum 1978, pp. 82-83 (J. de Coo) as Jordaens;
Antwerp 1978, no. 5, as Jordaens and studio;
De Coo 1979, pp. 284-85, as Jordaens;
New York Museum 1984, I, p. 123, footnote 6 (W. Liedtke) as studio of Jordaens;
Paris 2013-14, no. II-06, pp. 110-111 (A. Merle du Bourg), as Jordaens.
Panel reverse
print and typescript paper label of the Antwerp 1878 exhibition
Dendrochronology
Remarks
No marks found on the reverse, probably by cradling
© JVDPPP — Unless otherwise stated, the images and the text on this website are protected by copyright and all rights are reserved. The text reflects the present state of research and the current scholarly and scientific opinions of the authors.
