Object details
Artist
Collection and provenance
(possibly) William Charles van Huls (after 1649–1722), his sale, Wilson, London, 6 August 1722 (243), as Rubens;
(possibly) Sergeant Whitaker (d. 1778), his sale, Christie and Ansell, London, 27-29 April 1778 (61), as Rubens;
(possibly) William Morland, his anonymous sale, Christie’s, London, 16-17 March 1787 (71), as Rubens;
(possibly) 3rd Duke of Bridgewater, his anonymous sale, Christie’s, London, 6-7 May 1796 (36), bought in, as Van Dyck;
(possibly) ‘Neill’, his sale, Christie’s, London, 21-22 January 1812 (94), as Van Dyck;
(possibly) sale, Southgate, London, 7 March 1834 (29), as Van Dyck;
J. Ghende, Brussels, February 1929;
with J. D. Farr, London and Brussels;
with Paul Cassirer and Karl Haberstock, Berlin, March 1929;
Gustaf Werner (1859–1948), Göteborg, by whom donated to the museum in 1930.
Literature
Glück 1930, p. 168, no. 92;
Cologne 1930, no. 71;
Gothenburg Museum 1934, p. 48;
Gothenburg Museum 1954, p. 48, no. 17;
Fredlund 1973, pp. 31-39;
Fredlund 1977, pp. 52-61;
Gothenburg Museum 1979, p. 34, no. 933, as Van Dyck;
McGrath 1997, II, pp. 303, 307 n. 49, under no. 55;
Eidelberg 1998, p. 18;
Van Hout 2021, I, pp. 240-2, no. 102b; II, figs. 351, 353, as Workshop of Rubens;
Seim 2022, pp. 31-3, 37, 41;
Davies 2022b, pp. 49, 53 n. 17.
Panel reverse
Dendrochronology
© JVDPPP — Unless otherwise stated, the images and the text on this website are protected by copyright and all rights are reserved. The text reflects the present state of research and the current scholarly and scientific opinions of the authors.