Private collection, Madrid;
with Frederick W. Mont and Newhouse Galleries, New York, by 1954;
Kimbell Art Museum, Fort Worth, Texas, 1955;
deaccessioned by the museum, sale, Sotheby’s, New York, 12 January 1995 (69), as Rubens;
Robert Noortman, Maastricht;
Sold by him to the Rubenshuis, 1995.

Jaffé 1966, vol. 1, pp. 48, 115, pl. I;
National Gallery London 1970, p. 33, n. 22;
Eckhardt 1971, pp. 70, 180, pl. 62;
Kimbell 1972, pp. 64-5;
Larsen 1979, p. 16, n. 32, as George Jamesone;
Ottawa 1980, no. 2, p. 170, ill;
Kimbell 1981, p. 78;
Vlieghe 1987, no. 89, fig. 69, as Rubens;
Müller Hofstede 1987-8, pp. 140-42;
Washington 1990-1, p. 19, fig. 1;
Tel Aviv 1995-6, pp. 32, 58, fig. 32, as attributed to Rubens;
Antwerp/London 1999, pp. 40, 42 (K. Van der Stighelen), as Van Dyck;
Antwerp/London 1999, p. 94, (C. Brown), as Rubens;
Barnes et al. 2004, p. 92 (N. De Poorter), as attributed to Rubens;
Díaz Padrón 2012, I, pp. 624-7, as Rubens or Van Dyck;
Van der Stighelen et al. 2014, pp. 21-35, as Van Dyck;
New York 2016, pp. 60-62, no. 3 (S. Alsteens), as Van Dyck;
Davies 2021a, pp. 50, 53, p. 62, n. 22, as Van Dyck.

Dendrochronology was not possible as the panel is set in a cradle.