These are the panels related to artists other than Jacques Jordaens and Anthony Van Dyck that have been examined by the JVDPPP. The panels are (remotely) related to work of the two artists either as copies or by stylistic or dendrochronological relations. The artists include Rubens, Remigius van Leemput, Willam Dobson and T.S. White.
All entries include a detailed photo of the front and reverse of the panel as well as photo’s of possible marks, inscriptions and labels. The entries also contain extensive provenance and literature reports in addition to the dendrochronological data the project was able to retrieve through their examinations of the panels.
Peter Paul Rubens (1577 – 1640) was the leading Flemish artist of the seventeenth century. He primarily worked for the Catholic church and the royal courts of Europe and is best known as a painter of religious pictures, mythological scenes, classical and modern history, and portraits. In the 1620’s the young Van Dyck was working in the studio of Rubens. The influence Rubens had on the stylistic development of Van Dyck is apparent in much of his early work.
Remigius van Leemput (1607 – 1675) was a Flemish portrait painter, copyist, collector and art dealer mainly active in England. He was an associate of Anthony Van Dyck and is though to have assisted the master in his studio. He produced copies of van Dyck’s work and later also of other painters such as Peter Lely.
Listed below are all other panels related to the work of Jordaens and Van Dyck that are not by Rubens or Van Leemput. In addition to unidentified Flemish masters it includes artists such as the British portraitist William Dobson (1611 – 1646) and T.S. White copied Van Dyck’s Iconography series.
This section includes archival research about artists that were related to Anthony Van Dyck and Jacques Jordaens. For example, the painters Cornelis van Poelenburgh (1594–1667) and Alexander Keirincx (1600–52) are the subject of the legal case ‘Geldorp v Swettnam’.
